Comparison Of The Bronze Sculpture And The Stone Sculpture

By Author: ada red
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Western Zhou china bronze statue mole public wine container late autumn wind patterns Fangding Chun Book, pot hunting pattern late Spring and Autumn cicada patterns evolve Legend suspected a silicon Shapeshifter pattern Ding Spring and Autumn Period geometric patterns London late Spring and Autumn Shang and Zhou bronze relief in the form of the evolution of language arts several reasons political, religious, ritual system changes in the relationship between art and political ritual, the ritual system early in the Shang and Zhou and art are inseparable. The gods of their ancestors, Shang and Zhou bronze relief in the form of the evolution of language arts processes and its worship is the reason for all human beings born with a special cultural phenomenon, in the early human society. The original bronze sculpture is made from clay and is hard to keep.

 As a social force to firmly control the irresistible ...
... domination the fate of mankind, so that human life revolves around its ongoing development, and the festival is the concrete manifestation of this phenomenon, as a symbol of worship places to set up objects, bronze in full bloom for the ancestral spirits enjoyed the offerings, Bronze carving style and the mysterious cohesion is very strong cultural meaning. This imitation of bronze statue is made from bronze and has a good collecting value.  Whether in solemn silence, smoke-shrouded temple on top, or in the eerie, bloody ritual sites, the number of green, glistening variety of shapes tripod, wine container, goblet, humble, respect placed in the most conspicuous place, is essential for real products, with special symbolic function is extremely important decorations.

Offering facilities for the display of piety who played the role off the atmosphere, very beautiful bronze relief carving is also extremely rich in particular refers to the meaning of this refers to the real meaning of being a powerful image to express the strength of the animal, so the bronze embossed image of a special form of language arts approach focused on imitation of the real performance characteristics of these animals, the mighty, strong shapes, peculiar form of composition, in the meantime focus on guiding who think that the remote ancestors of the gods unknown image, the use of artistic images to enhance their sensory stimulation, piercing the human mind to arouse the viewer’s soul the gods of the so-called fear. The front leg of the chinese bronze is up and rising with the back leg on the ground.

Therefore, awareness of the concept as a tool for performance art image in full compliance with the ritual culture evoke a sense of mystery and fear, followed by the solemn artistic expression is terrible. “Ritual” system is a slave ruling class contradictions to maintain their rule to ease the development of the new variant form of political system, but has focused on the cultural characteristics of the Western Zhou Dynasty, Shang slave society as a whole and has the absolute right and sacrifice mysterious culture Compared with the bloody increasingly concerned about relationships between people, concerned about people’s emotional feelings. The bronze dragon drum is the most national representatively cultural heritage of Chinese South. Shang bronzes norms solemn, strange and mysterious, impulsive neat lines on the shape and maintain the independence and integrity of the entire device, showing the strange and terrible majesty, and the Western Zhou Dynasty bronze ritual not only in religious ceremony more to be put on a grand.