A Beutiful Love Story In The Ancient China-the Butterfly Lovers

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Music is not a string of numbers written on paper, but wonderful sounds that you can hear and make you feel enjoyable. Actually, music is neither a human invention, nor unique to humans. Maybe we can say that human beings are the first to use special signs to record music, which we call notes.

As the old adage saying, Music Hath Charms to Soothe the Savage Beast. Recent research studies have shown that music, especially certain tones can clinically reduce stress. Music can alter brainwave patterns, as can yoga, deep breathing, and meditation - and bring on what is known as the Alpha State. Alpha is described as a state of deep relaxation, where the mind is totally stress-free and more open to problem solving. Using music to relax when dwelling on a particular problem then, may not only elevate your mood - but could help you reach that a-ha moment and find a solution.

Today, I want to introduce a piece of work whose background is a beautiful ancient Chinese legend. The earliest record of the legend can be traced back to the late Tang Dynasty. In Shi Dao Si Fan Zhi(which records things that happened in the world), ...
... the author Liang Zaiyan wrote. The most popular version of this story of the legend goes like this. Zhu Yingtai assumes a male identity so she may travel to study in Hangzhou, a southern city in China, where she meets Liang Shanbo. In the course of their studies, Zhu and Liang become very close friends. From a Confucian perspective, the notion of "Junzi"(means gentleman) is a well-exemplified ideal in Chinese history and its quality and characteristics are well expounded upon by Confucian scholars. Basically, this implies the highest integrity, morality and demeanor, coupled with well-refined abilities and skills both in martial arts and academia -- the kind of relationship that Zhu and Liang had achieved. When the time came for Zhu to return home, the pair is overcome with much suppressed sadness. Zhu offers her younger sister's hand in marriage and entreats Liang to visit her residence to discuss the issue with her parents. Liang is unaware that Zhu is female nor that she does not have a younger sister.

A year passes before Liang makes his way to Zhu's residence. He is overjoyed to realize Zhu's true identity and that she is in love with him. However, happiness turns into sorrow as the two soon discover that Zhu has been betrothed to another man. In great sadness, the two lovers meet at the tower and lament their great misfortune. Upon his return to Hangzhou, Liang falls ill in his great misery and dies. When Zhu hears of this on her wedding day, she flees to his grave. There, legend has it that her tears move the heavens so much that the clouds themselves shed tears over Zhu's grief. Then, the earth beneath her cracks open and the ill-fated Zhu commits suicide by jumping into the open grave. Miraculously, the pair is transformed into butterflies. Arising into the sky, they flutter and dance side by side among the flowers, never to be separated again.

The legend had been adapted into traditional Chinese opera in several local varieties, and it had inspired the production of Butterfly Lover's Violin Concerto, or Liang Zhu Violin Concerto, which composed by two students at the Shanghai Conservatory of Music, Chen Gang and He Zhanhao in 1958. It is almost 30 minutes long, and has been the most musically symbolic retelling of the legend. Shaoxing in tune with the material, using a combination of symphonic music with performance practices of the folk opera, in accordance with well-conceived layout of the plot development, the use of sonata form structure, a single movement, a subtitle. To "Caoqiao sworn," "anti-marriage," "grave butterfly" as the main content.

The work is a common feature in figure skating and in concert halls worldwide. This concerto is now often performed with Chinese instruments playing the violin part, the most common being Erhu, Pipa and Liuqin. In such cases the soloist is often accompanied by an orchestra consisting of Chinese instruments.

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