Profiles In Classical Guitar: Fernando Sor

By Author: Bevin Perry
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Fernando Sor was a classical guitarist and composer who was natural in Spain and he lived from 1778 to 1839. You can find extra details here http://musiclistening.net. He was a contemporary of Beethoven and is regularly referred to as the “Beethoven of the Guitar”.  He wrote many different facility for the guitar plus his notorious Sor reasoning for the Guitar and his 20 Studies for the Classical Guitar. Both of these facility are still in use nowadays.

His Life

Sor grew up in tumultuous time is Spain. It was during the time that Napoleon and the French were attempting to take over Spain and Sor tired time in forces overhaul.  For a stop of time the French successfully full Spain but eventually they were ousted.  After the war was over and France had been successfully expelled from Spain Sor stirred to Paris (around the age of 35) and he never returned to his home. He also tired time living in Russia and in London but he eventually returned to Paris wherein ...
... he would live out the remainder of his being. It was during this time in Paris that he achieved a significant quantity of fame as a composer, a governess, and a musician, and he tired many being touring the great cities of Europe.

As a Performer

In Spain during his younger being and early maturity he achieved an quantity of fame that began using a performance of his opera “Telemachus on the Calypso’s Isle” and this guide to a dumpy lived sponsorship by the Duchess of Alba. While living in Europe he reached the height of his fame as both a composer and musician and he performed concerts all over Europe plus Paris, Russia, and London.

As a Composer

As a composer of tune he had a remarkable extensive class of pieces that ranged from instructional in character to songs, duets, vocal tune for state and guitar, and even an opera.  His grace of tune ranged from sheer classical to very Spanish in sound.

Some of his more notorious work

Much of his work is no longer played and some of it is astray but he does have some pieces that have withstood the hardship of time and are still often performed to this day. Or course there is his reasoning for guitar and his twenty studies; and while these are instructional facility they are also comprised of many pieces and arrangements that exist forlorn on their own right as legitimate performance pieces. A pair of his more notorious individual pieces involve his Opus 35 number 22 in B junior which is regularly called “The Moonlight Etude” and his Opus 9 variations on a theme by Mozart (The magical Flute). Both these pieces are remarkably wonderful and returning favorites of advanced guitarists.

Recordings and More

Many contemporary classical guitarists have incorporated Sor’s compositions into their repertoire and you can swiftly find facility.  There are many CD’s by stream performers that are ardent only to the work of Sor. There is also a book regarding him (Fernando Sor: Composer and Guitarist). It is written by Brian Jeffery and it is a comprehensive and thorough account of Sor’s life.  The first journal was reachable in 1977 and a jiffy journal reachable in 1994.

Fernando Sor was a remarkable multi-talented man who was a talented musician, a governess, and a composer who wrote spanning many forms and genres of tune.  His tune still lives on nowadays, and through his methods for guitar he is still credo students over 150 being later.

 

 


About Author:
Bevin Perry writes for Music Listening. You can view more details here http://www.musiclistening.net.